Romans Suta and Aleksandra Beļcova Museum
Artworks by Romans Suta
Romans Suta (1896–1944) was an extraordinary creative and multifaceted personality. He not only painted, designed and illustrated books and created designs for theatre plays and motion pictures, but also managed his own art studio, wrote essays on art for the press, established and operated within the “Baltars” porcelain painting workshop and developed furniture and interior design projects.
Romans Suta. Self-Portrait with a Pipe. 1919. Oil on canvas. LNMA collection
Romans Suta. Still Life with a Pipe. 1923. Oil on canvas. LNMA collection
Romans Suta. Woman with a Guitar. 1923. Oil on canvas. LNMA collection
Romans Suta. Harlequin with a Guitar. 1923. Oil on canvas. LNMA collection
Romans Suta. Artist Jānis Plase with his Girlfriend. 1927. Oil on canvas. LNMA collection
Romans Suta. Woman in Blue. 1930s. Oil on canvas. LNMA collection
Romans Suta. Self-Portrait. Late 1930s. Oil on canvas. LNMA collection
Romans Suta. Self-Portrait in the Workshop of Stage Design. 1929. Indian ink on paper. LNMA collection
Romans Suta. Countryside band. 1928-1934. Indian ink on paper. LNMA collection
Romans Suta. Wrestlers Walking out into the Arena. 1915/1917–1919. Watercolour on paper. LNMA collection
Romans Suta. From the series Street. Late 1920s. Indian ink on paper. LNMA collection
Romans Suta. Sale. From the series Street. Late 1920s. Indian ink on paper. LNMA collection
Romans Suta. People on the Street. From the series Street. Late 1920s. Indian ink on paper. LNMA collection
Romans Suta. Woman and a Dove. Early 1920s. Indian ink on paper. LNMA collection
The collection of artworks by Romans Suta comprises slightly more than 1500 museum objects, including the author’s oil paintings, porcelain items crafted at the “Baltars” workshop and M.S. Kuznecov factory, Indian ink drawings, watercolours, sketches for book illustrations and tableware, costume and set design studies for theatre performances and films, and furniture built according to his designs. The museum’s display reflects Romans Suta’s achievements in each sphere of his activity and illustrates different phases of his creative career. Overall, the largest numerical group of works within the collection consists of tableware sketches, alongside set and costume design studies for theatrical productions.
Romans Suta. Costume sketch for the Executioner in Carlo Gozzi's play "Princess Turandot". 1926. Gouache on cardboard. LNMA collection
Romans Suta. Costume sketch for Altoum, Emperor of China, in Carlo Gozzi's play "Princess Turandot". 1926. Gouache on cardboard. LNMA collection
Romans Suta. Set design study for I. Stravinsky’s ballet “Pulcinella”. 1933. Gouache on paper. LNMA collection
Romans Suta. Series of costume design studies for I. Stravinsky’s ballet “Pulcinella”. 1933. Gouache on paper. LNMA collection
Romans Suta. Decorative plate Open-air Ball. 1926. Porcelain. LNMA collection
Romans Suta. Decorative plate 1905. 1928. Porcelain. LNMA collection
Romans Suta. Decorative plate The Bermontian Campaign. 1928. Porcelain. LNMA collection
Romans Suta. Decorative plate The Wedding. Ca. 1928. Porcelain. LNMA collection
Romans Suta. Vase Woman with a Deer. 1937. Glazed clay. LNMA collection
Romans Suta. Design study for the porcelain vase Horse Racing. 1930s. Watercolour on paper. LNMA collection
Romans Suta. Interior sketch for a public space (exhibition hall / display space). 1919-1941. Pencil and watercolour on paper. LNMA collection
Romans Suta. Interior sketch in Art Deco style. 1930s. Pencil and watercolour on paper. LNMA collection
Romans Suta. Study for a wall panel featuring a festive motif – sketch for the tapestry The Wedding. 1919-1941. Pencil and watercolour on paper. LNMA collection
Among the best-known objects in the collection are Suta’s 1920s paintings Still Life with a Pipe, Harlequin, Artist Jānis Plase with his Girlfriend and Open-Air Dance. Exceptional, too, are his Indian ink drawings Clearance Sale, Strike and others. Of the set and costume design, the most striking examples include sketches for Carlo Gozzi’s play Princess Turandot (Jelgava Workers’ Theatre, 1926) and Igor Stravinsky’s ballet Pulcinella (Latvian National Opera, 1933). Unique artifacts withing the collection also include furniture sets crafted after Suta’s sketches – a table for the café “Sukub”, as well as two tables and a stool for the café “Luna” (“Mona”).
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